7 Questions for Matthew Avery Sutton
Matthew Avery Sutton I was not terribly interested in defining religion or the sacred. My focus was on how what my subjects would define as their religious beliefs and convictions functioned. I focused on the work that their religion did.
Candomblé Reconsidered: A Sacred Matters Interview
Dianne Stewart In the twenty-first century, increasing populations are becoming aware of the presence of African-heritage religions in the diaspora but we have still much to learn from and about these religions.
Teaching True Believers
Jolyon Baraka Thomas The religious studies classroom is a strange place. Whether one teaches in a public university or a private one, the subject matter demands that students set aside personal commitments in order to engage with religion both critically and respectfully.
A Fresh Look on Treating Moral Injury
Ed Van Herik Moral injury is a wrenching condition that has paralyzed a number of returning veterans, spurring the U.S. Army to look for a path that will complete the journey home for affected soldiers. While battle wounds account for the most visible effect of war, moral injury claims its share of victims as well.
“Cannot tell Aught but the Truth”: Photography and Birth of a Nation (1915)
Rachel McBride Lindsey Through plot device, camera technique, and historical conceit, Griffith’s epic story of the triumph of racially defined and providentially guided national unity out of racially contrived sectional chaos leans heavily on the early history of American photography.
Dangerous Education
Hussein Rashid I’ve started with a discussion of Boko Haram and the Taliban, because it is easier to show the foibles of an approach when it is distant from us. However, I fear that many of the rejectionist attitudes of these groups are already operating in the United States.
Literary Antecedents and Contemporary Reflections of Thomas Dixon’s “The Clansman”
Carolyn M. Jones Medine As The Clansman demonstrates, the Ku Klux Klan was a structure within which white men acted out their vision of southern society and through which they used terror to enforce those visions. The KKK may have been the United States’ first cellular terrorist structure: it was and is covert, local and de-centered, mobile, and opportunistic, multiplying by opportunity and interpersonal connections.
Mortality Now: Top 5 Reminders of Death for Aging Baby Boomers
Gary Laderman Memento Mori. Remember, you will die. Not a pleasant thought, yet one that has universal application because it is an unavoidable truth. The vanity of life, the nature of impermanence, the transient quality of existence. You get the point.
A Dreadful and Improbable Creature: Race, Aesthetics, and the Burdens of Greatness
Judith Weisenfeld The plot of The Birth of a Nation features two intertwined narratives: a political story that moves from national unity to division in war and back to unity, and a romance in which a couple unites despite the obstacles the war presents. The Birth of a Nation is also, of course, a story about the subjugation of people of African descent, a process director D. W. Griffith frames as carried out by honorable white men who had no choice in the face of social chaos.
Cutting up “The Birth of a Nation”
S. Brent Plate Cut up D. W. Griffith’s The Birth of a Nation and it bleeds a little. Rearrange the pieces, as Griffith so expertly cut up film sequences, and put them together in new ways. Splice it into histories, the stories of photography, race, literature, the KKK, bodies, film technique, and it comes out looking different. But it’s gonna bleed. The following articles, are such cuts, such incisive interventions.