Gary Laderman Touching is all of a sudden quite fascinating to me.
Tag Archives: death
Gary Laderman I am still hesitant to pursue it in my class—perhaps because of the feeling that it is “taboo”; perhaps because a lingering sense that only “professionals” should be talking about it. It is highly, highly charged for so many of us. As one student put it, “trigger warnings were made for this topic.”
Gary Laderman Memento Mori. Remember, you will die. Not a pleasant thought, yet one that has universal application because it is an unavoidable truth. The vanity of life, the nature of impermanence, the transient quality of existence. You get the point.
Jolyon Baraka Thomas There is nothing quite so touching (or quite so irritating) as having a total stranger slump against you in a deep sleep on a Tokyo train. Like the Internet, Tokyo trains are equally intimate and anonymous. They are spaces where one encounters fellow Tokyoites in all their wacky fashion, their frenetic mobile phone gaming, their inane conversations, their drunken abandon. Tokyo trains are raucous in the evenings and eerily silent during the day. They are often uncomfortably crowded, but they are nevertheless a place to temporarily let down one’s guard. I’ve actually boarded the Yamanote circle line and ridden it all the way around the city just so I could sneak in an hour-long nap.
Corey L. Cook and Sheldon Solomon Skepticism about the existence of God is on the rise, and this might, quite literally, pose an existential threat for religious believers. It’s no secret that believers generally harbor extraordinarily negative attitudes toward atheists. Indeed, recent polling data show that most Americans view atheists as “threatening,” unfit to hold public office and unsuitable to marry into their families. But what are the psychological roots of antipathy toward atheists?
By Louis A. Ruprecht Jr. For anyone who is interested in religion and the arts, Susan Sontag’s (1933-2004) work remains essential. She burst upon the New York arts scene in 1966 with the publication of her collection of essays, Against Interpretation. The book was a tour de force examination of everything from second rate horror films to Critical Theory. Her primary interests were the performative arts, photography and film.
Gary Laderman “What do you want done with your body when you die?” This is a question I never fail to get from undergraduates in my college Death and Dying course. I’ve taught the class at Emory for roughly twenty years, and after a semester spent exploring attitudes toward death and mortuary practices over time and around the globe, students are most curious about this: the ultimate questions—not in theory, but in real life. My real life.
A. David Lewis is a national lecturer in Comics Studies and an award-winning graphic novelist. He holds a PhD in Religion and Literature from Boston University and is a founding member of Sacred and Sequential. His book, American Comics, Literary Theory, and Religion: The Superhero Afterlife, is now available from Palgrave Macmillan.
What sparked the idea for writing this book? Like many researchers, I smelled a story in the gaps and disparities within even the newest work on a great topic: nineteenth-century French sculpture. Some of its most famous examples were funerary monuments that were hailed as artistic masterpieces or as key players in France’s political history without any significant reference to their intended purpose as parts of tombs.
By Sienna Craig According to Tibetan tradition, when we die we enter into the bardo, a liminal realm between death and rebirth. For the forty-nine days after our body returns to the elements from whence it arose—earth, air, water, fire,