Erin A. Smith I purposely excluded sacred scriptures from the study, because I wanted to investigate the messy relay between the commercial and the transcendent.
Tag Archives: Christianity
7 Questions for Matthew Avery Sutton
Matthew Avery Sutton I was not terribly interested in defining religion or the sacred. My focus was on how what my subjects would define as their religious beliefs and convictions functioned. I focused on the work that their religion did.
Literary Antecedents and Contemporary Reflections of Thomas Dixon’s “The Clansman”
Carolyn M. Jones Medine As The Clansman demonstrates, the Ku Klux Klan was a structure within which white men acted out their vision of southern society and through which they used terror to enforce those visions. The KKK may have been the United States’ first cellular terrorist structure: it was and is covert, local and de-centered, mobile, and opportunistic, multiplying by opportunity and interpersonal connections.
A Dreadful and Improbable Creature: Race, Aesthetics, and the Burdens of Greatness
Judith Weisenfeld The plot of The Birth of a Nation features two intertwined narratives: a political story that moves from national unity to division in war and back to unity, and a romance in which a couple unites despite the obstacles the war presents. The Birth of a Nation is also, of course, a story about the subjugation of people of African descent, a process director D. W. Griffith frames as carried out by honorable white men who had no choice in the face of social chaos.
Cutting up “The Birth of a Nation”
S. Brent Plate Cut up D. W. Griffith’s The Birth of a Nation and it bleeds a little. Rearrange the pieces, as Griffith so expertly cut up film sequences, and put them together in new ways. Splice it into histories, the stories of photography, race, literature, the KKK, bodies, film technique, and it comes out looking different. But it’s gonna bleed. The following articles, are such cuts, such incisive interventions.
Birth of the Klan’s Nation
Kelly J. Baker At midnight on November 25, 1915, seventeen men climbed to the top of Stone Mountain in Georgia with a large wooden cross. On that Thanksgiving night, they lit the cross on fire and pledged allegiance to the U.S. Constitution, American ideals, and “the tenets of the Christian religion. Read More…
7 Questions for Eric Reinders
Eric Reinders Then I read Foucault’s Discipline and Punish about the making of the soldier’s body and I thought, yes, there might be a way to talk about monastic discipline in a new way.
Doomsday Politics
Kelly J. Baker In 2008, some conservative evangelicals declared on email, websites and forums that the future president, Barack Obama, was not a Muslim in hiding, but decidedly more dangerous. They compared Obama to the charismatic Anti-Christ of the of the Left Behind series, Nicolae Carpathia.
7 Questions for Lerone A. Martin
Lerone A. Martin During my research, I discovered that most scholarship on religious media focused primarily on the mediums of print, radio, and television. Moreover, these historical accounts almost exclusively detailed the experiences of white Protestants, while simultaneously ignoring race as an analytical category. This led me to write my dissertation and ultimately Preaching on Wax: an interwar narrative that de-centers whiteness and radio in the history of American religious broadcasting by explaining how black clergy, largely marginalized from radio on account of racial discrimination, made the phonograph a vital medium of religious broadcasting, a phenomenon I have dubbed phonograph religion.
What Star Wars Taught Me About the Bible
Jonathan Homrighausen Apocalyptic has always been one of my least favorite biblical genres. First, it can make for very tedious reading, with its densely symbolic accounts of battles and political turmoil. And second, I’ve always struggled with the black-and-white moral dimension of it. To me the world just doesn’t work like that. . . . But then I saw Star Wars: The Force Awakens, and, oddly enough, it helped me understand the Bible better.