Amir Hussain I’ve always been fascinated by the life and work of Hank Williams Sr. . . the most underrated American theologian of the 20th century.
Kelly J. Baker How do we create monsters? And ultimately, how do we destroy them?
Kelly Baker A couple of months ago, I started watching the first season of Unbreakable Kimmy Schmidt on Netflix. In the premiere episode, Kimmy and the three other “mole ladies” are rescued by a SWAT team from an underground bunker.
Mark Hulsether “Would that it were so simple.”
Scott Muir While 65% of the 655 individuals I surveyed at 10 such festivals report that they rarely or never “attend religious or spiritual services/gatherings,” participants overwhelmingly affirm the notion that these festivals are themselves sacred social events.
Jolyon Baraka Thomas The religious studies classroom is a strange place. Whether one teaches in a public university or a private one, the subject matter demands that students set aside personal commitments in order to engage with religion both critically and respectfully.
Rachel McBride Lindsey Through plot device, camera technique, and historical conceit, Griffith’s epic story of the triumph of racially defined and providentially guided national unity out of racially contrived sectional chaos leans heavily on the early history of American photography.
Carolyn M. Jones Medine As The Clansman demonstrates, the Ku Klux Klan was a structure within which white men acted out their vision of southern society and through which they used terror to enforce those visions. The KKK may have been the United States’ first cellular terrorist structure: it was and is covert, local and de-centered, mobile, and opportunistic, multiplying by opportunity and interpersonal connections.
Judith Weisenfeld The plot of The Birth of a Nation features two intertwined narratives: a political story that moves from national unity to division in war and back to unity, and a romance in which a couple unites despite the obstacles the war presents. The Birth of a Nation is also, of course, a story about the subjugation of people of African descent, a process director D. W. Griffith frames as carried out by honorable white men who had no choice in the face of social chaos.
S. Brent Plate Cut up D. W. Griffith’s The Birth of a Nation and it bleeds a little. Rearrange the pieces, as Griffith so expertly cut up film sequences, and put them together in new ways. Splice it into histories, the stories of photography, race, literature, the KKK, bodies, film technique, and it comes out looking different. But it’s gonna bleed. The following articles, are such cuts, such incisive interventions.