Mark Hulsether If there is any part of our culture where the (typically noxious) idea of trickle-down influence actually makes sense, Björk is a good place to look. She ranks amid an extremely select handful of musician’s musicians whose creative innovations especially matter. This year her superb record, Vulnicura, flew less under the popular radar than some of her earlier work, since it was coordinated with an exhibit showcasing her fashion innovations at New York’s Museum of Modern Art and features in the New Yorker and New York Times Magazine.
I wanted to write something about religion and sexuality for my doctoral work, but I never thought about writing on religion and the AIDS crisis until I watched a film by Gregg Bordowitz, an artist and professor at the Art Institute of Chicago. . . . One of the scenes featured a gay black man standing at a microphone, describing how horrendous the AIDS crisis was at the time – in the 1980s – and then he spoke about God. Not in a negative way, but as a positive force, as a source of grace, even for gay men with AIDS.
Jonathan Orbell When my wife suggested we go out and see Pixar’s newly released Inside Out, I agreed, albeit reluctantly. “I’ll be asleep within 20 minutes,” I thought. Suffice it to say, I’m not really a “kids movie” kind of guy; more of an “old soul.” I was in for one hell of a surprise. Inside Out consists of two parallel storylines. The first, occurring in the “real” world, tells the story of Riley (Kaitlyn Dias), an 11-year-old Minnesotan girl whose family moves out to San Francisco.