Michelle Mary Lelwica Essentially, the book asks readers to think about what happens to them internally when their bodies refuse to look, function, or feel the way they think they are supposed to look, function, or feel.
Tag Archives: culture
Seven Questions for Amir Hussain
Amir Hussain I’ve always been fascinated by the life and work of Hank Williams Sr. . . the most underrated American theologian of the 20th century.
Seven Questions for Kaya Oakes
Kaya Oakes And yet, there was a real sense throughout doing the interviews that comprise a lot of the book that this was deeply sacred work: holding people’s stories, amplifying them through writing, and engaging in dialogue post publication about this fragile thing we call faith.
On Being Spiritual but Not Religious: Past, Present, Future(s)
William B. Parsons What does “being spiritual but not religious” mean? It’s on dating sites, so it must be something! But is it clear-cut and easy to identify, or is it more like what Gertrude Stein once said about Oakland, California, namely: “There is no there there.” It’s a good question. We’ll shed some light on the spiritual but not religious movement (SBNRM) and on “being” spiritual but not religious (BSBNR).
On Bonnaroo’s 15th: The Sacred and the Psychedelic Tradition
Scott Muir While 65% of the 655 individuals I surveyed at 10 such festivals report that they rarely or never “attend religious or spiritual services/gatherings,” participants overwhelmingly affirm the notion that these festivals are themselves sacred social events.
Candomblé Reconsidered: A Sacred Matters Interview
Dianne Stewart In the twenty-first century, increasing populations are becoming aware of the presence of African-heritage religions in the diaspora but we have still much to learn from and about these religions.
Teaching True Believers
Jolyon Baraka Thomas The religious studies classroom is a strange place. Whether one teaches in a public university or a private one, the subject matter demands that students set aside personal commitments in order to engage with religion both critically and respectfully.
“Cannot tell Aught but the Truth”: Photography and Birth of a Nation (1915)
Rachel McBride Lindsey Through plot device, camera technique, and historical conceit, Griffith’s epic story of the triumph of racially defined and providentially guided national unity out of racially contrived sectional chaos leans heavily on the early history of American photography.
Literary Antecedents and Contemporary Reflections of Thomas Dixon’s “The Clansman”
Carolyn M. Jones Medine As The Clansman demonstrates, the Ku Klux Klan was a structure within which white men acted out their vision of southern society and through which they used terror to enforce those visions. The KKK may have been the United States’ first cellular terrorist structure: it was and is covert, local and de-centered, mobile, and opportunistic, multiplying by opportunity and interpersonal connections.
A Dreadful and Improbable Creature: Race, Aesthetics, and the Burdens of Greatness
Judith Weisenfeld The plot of The Birth of a Nation features two intertwined narratives: a political story that moves from national unity to division in war and back to unity, and a romance in which a couple unites despite the obstacles the war presents. The Birth of a Nation is also, of course, a story about the subjugation of people of African descent, a process director D. W. Griffith frames as carried out by honorable white men who had no choice in the face of social chaos.