Jonathan Orbell When my wife suggested we go out and see Pixar’s newly released Inside Out, I agreed, albeit reluctantly. “I’ll be asleep within 20 minutes,” I thought. Suffice it to say, I’m not really a “kids movie” kind of guy; more of an “old soul.” I was in for one hell of a surprise. Inside Out consists of two parallel storylines. The first, occurring in the “real” world, tells the story of Riley (Kaitlyn Dias), an 11-year-old Minnesotan girl whose family moves out to San Francisco.
By S. Brent Plate In the beginning was the Jesus film . . . The birth of cinema dates from the Lumière brother’s first public screening for a paying audience in a Paris café in December 1895. The following decade saw at least a half-dozen filmed versions of the life and passion of Jesus Christ and a handful of Moses films. Some of these were even made by the inventors of cinema themselves, Thomas Edison and Louis Lumière. Soon after the birth of film, the “father” of Indian film, D. G. Phalke, was inspired by a film of the life […]