Mark Hulsether If music or group religious rituals can change the world—and I think at times they can—then the world changed during this performance.
Mark Hulsether To the Editors of the Religion Around Series: It has come to my attention that your press has initiated a series of short books about how religious or quasi-religious themes relate “around” creative artists. But it seems that, in practice, most such “prominence” could be translated into an idiom of highbrow tastemakers valorizing artists who enjoy universal acclaim—or even a language of reproducing elite hegemonic cultural capital. Herewith, I submit a modest proposal for a book more attuned to making the series pluralistic and representative of the everyday lived tastes of subaltern listeners: the manifold religious dimensions of Michael Bolton.
Mark Hulsether If there is any part of our culture where the (typically noxious) idea of trickle-down influence actually makes sense, Björk is a good place to look. She ranks amid an extremely select handful of musician’s musicians whose creative innovations especially matter. This year her superb record, Vulnicura, flew less under the popular radar than some of her earlier work, since it was coordinated with an exhibit showcasing her fashion innovations at New York’s Museum of Modern Art and features in the New Yorker and New York Times Magazine.