Sanctifying the Senses: Thoughts on Beyoncé as Liberative Praxis

By Alexis S. Wells If accepting imperfections and eschewing insecurities are a female rite of passage, then in her self-titled visual album, Beyoncé establishes herself as one of pop culture’s preeminent guides. Since its surprise release through iTunes, the collection of fourteen songs and seventeen videos has inspired a firestorm of conversation on topics ranging from the revolutionary potential of her audiovisual format, to the ethics of a sound bite sampled from the space shuttle Challenger. From academics, to bloggers, to NASA, everyone seems to be talking about Beyoncé. A compilation of fans’ most provocative responses, aptly titled “The Best […]