What are the current conditions and imminent possibilities for the Study of Religion? In this interview with Marko Geslani of Emory University, Kathryn Lofton, scholar of American Religion and incoming chair of the Department of Religious Studies at Yale University, discusses the state of the field in light of the crisis of the humanities, the institutional location of religion departments, graduate training, and undergraduate teaching.
Kelly J. Gannon “Can you love your neighbor as yourself, and at the same time, knee him in the face as hard as you can?” So asks Fight Church, a new film by directors Daniel Junge and Bryan Storkel, that looks at a growing trend in evangelizing ministries that brings mixed martial arts (“MMA”) into the church. The film follows the MMA ministries of several men who are both pastors and fighters. Are fighting and Jesus diametrically opposed? Or is MMA a way to bring “tough guys” to Jesus? These are the main questions that drive Junge and Storkel’s project.
Hussein Rashid “What does Islam say about images?” It is a question that seeks to understand religion through unitary and static prescriptions. At its core, the question is about what is “Islamic.” Such a question is problematic because a community of believers decides what the religion means. Because human beings are involved, there will be differences. While there are boundaries for who a Muslim is, such as belief in monotheism, the prophethood of Muhammad, and observance of certain ritual and legal obligations.
S. Brent Plate
A strange set of coincidences brought Malcolm X into my life in the past month, some invisible force of history that compelled a fusion of events. It was only a month ago that I realized February 21 was the 50th anniversary of his assassination, but energies were in play long before then that brought me to encounter Malcolm’s powerful ghosts. They arrived in buildings, books, bodies, and films.
By Louis A. Ruprecht Jr. For anyone who is interested in religion and the arts, Susan Sontag’s (1933-2004) work remains essential. She burst upon the New York arts scene in 1966 with the publication of her collection of essays, Against Interpretation. The book was a tour de force examination of everything from second rate horror films to Critical Theory. Her primary interests were the performative arts, photography and film.